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Tuesday, February 26, 2019

IOP on Glass, Eyes, and Doll’s Essay

Imagery vivid descriptive language that appeals to bingle or more of the senses (sight, hearing, touch, smell, and taste). The first impression of a whatsoeverone that soul rams will etern every(prenominal)y color the hear of the person. Everything ab bulge how someone facets and acts creates how that person is viewed by differents. But when this ambit is controlled by others or the person fairish isnt strong enough to head their true ego, their identity is misrepresented into something al approximately unrecognizable. Henrik Ibsen, Zora Neale Hurston, and Tennes larn Williams manipulation the renderry connected with their lead female characters to evince how society tries to put individuals d take with fictive generalizations to hide wo custodys identities.The authors use the resourcefulness of clothing to address how family members try to m grey- hairclothed the women below them in power to their image of their character. For the Sternbergs fancy dress b only T orvald call fors his married charr Nora to dress up, and Torvald wants me to go as a Neapolitan fisher- fille, (Ibsen 37). The Neapolitan fisher girls are girls from Naples, Italy often thought of as possessing a very classic Grecian beauty. These fisher girls have been subjects of many working of art such as samaraings and statues. With Torvald do Nora dress up as a Neapolitan fisher girl he is making her into something bewitching and to be appraised like a piece of art. This image of Nora macrocosm ravishing like a painting is Torvalds way of putting Nora at a lower place him. He dresses her up and parades her among their friends go all the while taking causeership of her beauty. Nora doesnt get to choose what she discloses to this ball and she is non recorded saying a word to anyone at the party.Torvald even commands Nora to direct the party after she has finished her dance as he doesnt want anyone macrocosm near her. Noras identity is lost in the imagery of her N eapolitan fisher-girl costume and Torvalds control of her dress. By the uniform token Janie in Their Eyes Were Watching God is forced to wear head rags by her maintain Joe. The business of the head-rag irked her endlessly. But Jody was engraft on it. Her hair was NOT going to show in the store, (Hurston 55). The imagery of Janies head-rags suggests that she is Joes property. Janies hair is her personal symbol of power,strength, and identity. Joe by making Janie cover her hair up in head-rags is symbolically stifling Janies power and identity.Without her laissez faire Janie is nonhing moreover what Joe charters out of her, which is his wife. And society alike will only chitchat Janies image as Joe makes her image to be . Laura from The Glass Menagerie is as well as suffered to a similar assign as Nora and Janie as her mother forces her to wear chest enhancements. Now squeeze a look at yourself. No, wait Wait just a moment- I have an idea Amanda produces two powder puffs w hich she wraps in handkerchiefs and stuffs in Lauras bosom. Mother, what are you doing?Theyre called gay deceivers I wont wear them (Williams 120). Similarly the imagery of the powder puffs implies that Laura is the perfect youthfulness adult female that Amanda invisions of her. With Amanda putting the powder puffs kill Lauras dress she is trying to find Laura as a perfect spring chicken woman. But Laura just is not this perfect girl who eeryone dears and adores like Amanda wants to imbibe Laura as. The imagery of Lauras deceivingly good figure signifies that tidy sum will embrace her as a perfect two-year-old woman.Nora and Janies imagery of the last(prenominal) and their memories is used against them to paint false images of their identities. Near the end of the play, Torvald has just found out of what Nora had make in the agone to save him and utters this simplistic and resonant statement, And I mustiness sink to such miserable depths because of a absent-minded woman (72). With this fate Torvald is making Nora attend like a terrible woman who is oblivious(p) to any thought of her husband. Even though much earlier in the play Nora tells Mrs.Linde that she only borrowed money so that her husband wouldnt clear from his illness. Torvald just judges Noras image by her actions, not the motives poop her actions. And this paints an entirely false image of Nora as being thoughtless and uncaring virtually her husband.When in any case Nora was just looking out for her husband, being anything nevertheless thoughtless and uncaring. The Victorian society Nora lives in is also as cruel to someone in her position. It goes without saying that the man is always the one to handle the money and the well being of the family. And by Nora espousal money by herself she is breaking the rigid gender roles that their society has set in place for women. So society will also look down on Nora as a disgraceful woman because of her past actions. Janie is in a s imilar situation when coming situation from the Everglades is judged by her neighbors. They passed nations through their mouths.They sat in judgement. Seeing the woman as she was do them remember the envy they had stored up from other times. So they chewed up the gage parts of their minds and swallowed with relish, (1-2). The people of Eatonville, especially the women had always been jealous of the attention Janie had gotten from men for her looks. And with the k without delayledge that Janie had ran off with a younger man in the past the people telephone of Janie as a absurd fool. But they seizet know that Janie with all her suffering and joy that she lived through is implausibly wise. The imagery of Janies actions or more so the memory of her actions, has the people of her community believing that Janie is nothing more than a lost old woman, falling for the false love of a young man. Janies indistinguishability as a woman who is wise and has lived through many unsound time s is taken away from her as Eatonville reduces her to just a love sick woman.Hurston, Williams, and Ibsen use the imagery of objects to display how people on the outsides of the characters lives perceive them and their individuality. When Jim is over at the Wingfields apartment Laura is telling of how much she loves the unicorn from her frosting menagerie. You see how the light shines through him? I shouldnt be partial but he is my favorite one Havent you noticed the star horn on his forehead? (143-144). The imagery of Lauras favorite glass ornament, the unicorn, represents how people in society see Laura. Like the unicorn which light shines through, Lauras disposition and identity is completely see through.Every facet of her genius is easy to see as she is but a incredibly fainthearted and timid girl. Lauras love for the unicorn is because of its peculiarity of the horn that separates him from the other glass horses in her collection. The imagery of this unique glass unicorn represents Lauras own individual separation from other girls. Everyone notices that Laura is uniquely different, like her glass unicorn she loves so much.In the same way as the unicorn describes Laura, the Christmas tree in the Helmers home describes Nora. Hide the Christmas tree carefully Helen. Be sure the children do not see it till this evening, when it is dressed And what is in this parcel? No no you mustnt see that until this evening, (5 & 7). The image of the splendid and elusive Christmas tree in A Dolls House expresses how Noras identity is seen by the society around her.The Christmas tree serves the function as an ornament in the household and Nora just like the tree is ornamental in the home. She doesnt take care of the children, or have a job, she just decorates and dresses up for the people of the house as well as the visitors. And as a decoration Nora isnt able to office her own opinion or let her identity shine through the pretty things that accessorize her. Noras identity is hidden away throughout the play and as the Christmas tree is hid from the children, Noras dress is hidden from Torvald so he will not see her. Noras identity is hidden from not only the people she knows but also the ones she is closest to. She is not able to be herself as society shuns Noras true identity, as the loving wife she is that would do anything for her husband, such as borrow money without his consent so he butt live.Janie is also in Laura and Noras situation as the people in her community judge her actions and therefore her identity because of her hair. What digital audiotape ole forty year ole oman doin wid her hair swingin down her back lak some young gal? (2). Just like the two women in the other pieces of literature, the image of Janies long hair is utilized by Hurston to show how Janies community in Eatonville doesnt recognize Janies true identity. The women on the porch mention that Janie looks like a foolish old woman with her hair all the way down her back like some young woman. The women of Eatonville think Janie is trying to be like a young woman as she has run off with a young man and is now coming back with her hair no longer tied up.This is not the true image of Janie as she is not trying to be a young woman. After all the life that Janie has experienced she keeps her hair down to show that she no longer cares what people in society think of her. But the image of her loose hair to the rest of her society is of a very rebellious and foolish old woman. They want to see her as a married woman being under the thumb of her husband and not as herself. Even though now Janie is trying to show her true identity the community wont accept that and is crying(a) themselves by only focusing on her hair to critique Janie in the way they want to think of her.The three authors use the imagery of pitch to the character to shape their false identity in the eyes of their family. champion day in the store Joe gets frustrated with Janies poor job at cutting some tobacco and insults her about her age. A woman stay round uh store till she get old as Methusalem and still cant cut a runty thing like a plug of tobacco (78). The image of graybeard that Joe says to describe Janie is used to show how Joe and Eatonville see Janie when she is in the store. Methuselah is a man from the Bible that is known to be the oldest person to ever live. The allusion to this character is said by Joe to make Janie feel like she is so old that she is ancient. It insults Janie and her character, making her seem old and inefficient for not being able to cut a plug of tobacco after all the time she spends in the store. Eatonville after hearing what Joe has spoken of Janie can see her as an elderly woman who still cant do simple chores around the store.In a likewise manner Amanda says some harsh words to Laura for drop out of business college and hiding it from her. You did all this to deceive me, just for deception? We wont have a business care er- weve given that up because it gave us nervous indigestion only tolerated spinsters living upon the grudging patronage of sisters husband or brothers wife (93-94). In the same way Amandas image set(p) on Laura when she learns she dropped out of business college in secret is used by Williams to show that Amanda sees Laura as a weak girl with no identity to her. The image of Laura is that she is a fragile girl with finer to no way to support herself having left the one opportunity she had to make a future for herself. The imagery of Amandas words that Williams writes twists the prototype of Laura into a thoughtless and selfish girl, not thinking about anything but her own personal desires. But her identity is not as a thoughtless girl but as a shy and caring young woman.She is seen as continually concerned for her brother, but still throughout most of the play Amanda sees Laura as being just self involved. The false image of Laura as being self absorbed is apply by the imager y of Amandas harsh words about dropping out of business college. In opposition to Janie and Laura, the pet names Torvald uses for Nora as terms of endearment are actually very insulting terms to her. Is my little squirrel come home? The same little featherhead Come come my little romp, (6-7). Comparably Torvalds words to Nora are suppose to be delight but with the knowledge of what the animals are is used to paint an unflattering picture of Nora. Squirrels are animals with very small brains and that are reason as being unintelligent. A featherhead isnt an animal, but it is implying that Noras head isnt change with a brain, but is instead filled with feathers. Nothing substantial that she can actually make her own thoughts with.Torvald with this term of endearment is suggesting that Nora doesnt have a brain but just feathers in her head. Furthermore a skylark is a bird that nests on the ground, then being easily unmake and that are not very distinctive in coloring. This name makes Nora seem plain and foolish. With these pet names of animals that are ordinary Torvald through the imagery of his words is insinuating that Nora is plain and not very bright. Torvald is also putting himself in a higher place Nora with his words. He is making it seem like he is the all meaning(a) person of the house and that he is better than Nora because he is intelligent. Noras individuality is taken away from her with Torvald putting above himself and putting her in the background. Nora has no identity when she is with Torvald as he puts her so below himself that he doesnt believe she can be herself.Tennessee Williams, Henrik Ibsen, and Zora Neale Hurston use the imagery in their kit and caboodle associated with their lead females to portray how societys views of people is usually false and undermines their individuality. How people are viewed by what they wear, what they own, their past, and what people say to them is a simple way to miss a persons true identity. These g eneralized views are easily broken apart when evidence of peoples character is put forward, and this is what gets society into trouble. These three authors arent just writing literature, they are making a statement on how society works. Including how society is wrong and how generalizations about types of people need to be broken in the collective minds of the people so every person is seen as themselves and not as a stereotype. To give everyone their own voice without being prejudged by societys absurd expectations.

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